Sadhyam
There are several reasons why someone would to watch Sadhyam, and they all begin 18 inches above Priyamani's knees. Okay, some people might argue that we're being unfair to the film, so we'll add to the sentence above - there are several other reasons why one might want to watch Sadhyam, and they all start 6 inches below her neck, moving upward.
Now let us move on to the story. It opens with a paranoid Suhani (Priyamani) freaking out at every little sound anyone makes around her and every little glance anyone directs towards her. Basically, she thinks everyone is out to get her. Just like we are feeling. Still, she bravely goes through life. Just like we are going through Sadhyam.
One night she rescues a rich man (Tanikella Bharani) in an accident. He thanks her profusely, but all she can think about is how liberated she would be if she started shooting everyone who ever bothered her in the past. The man, in gratitude, loads the gun with one bullet and tells her to shoot the one person she thinks is worth killing. You're wondering why he gave her just one bullet, but you quickly remember that she doesn't need bullets to kill people - the movie's doing their job already, and 70% faster, too.
In a flashback, we are shown Suhani's college days. The guys at her college kept shooting pictures of the cleavages of their girl classmates, including that of Suhani, but she and her best friend (Keerti Chawla) give them an earful if not an MMS-ful. This part of the script is related to nothing in particular, but if you've come to this film to be particular about things, then you deserve to sit through it.
Anyway, this best friend (Keerti Chawla) kept snatching everything away from her, and cheated her out of a job at a hotel, as well as of her dignity. So our present Suhani goes to kill her, but discovers to her horror that she's now mentally unstable.
Conclusion:Basically, the film maker had no clue as to what he had to convey to the audience. It takes off as a comedy then turns into a thriller, then mixes into melodrama and jumbles with several flashbacks. While the first half conveyed a different feel, the second half conveyed something else. Overall, except for the songs and Priyamani’s visual feast, there is absolutely nothing worth talking about. At the box office, this is bound to hit the dust despite the presence of the branded lead pair.
